'Best of TBH Politoons'
Cory!! Strode On Graphic Novels
Galactus
I'm going to do something a bit different this week, since I broke one
of my own rules when it comes to reading comic books: I read a story
before it was finished. For most of the time I have read comic books,
the stories have been of two kinds: Short stories that finish in an
issue (or less) or endless soap operas that go on and on for years. Then,
in the mid-90's, the market for trade paperback collections of comics
exploded and creators and editors started writing stories that would
work better as trade paperbacks, and had "story arcs" that lasted between
4 and 8 issues.
Now, most comics are written this way, with Marvel having all of their
new comics starting with 6 issue story arcs so that they can be put out
as a trade paperback, or starting lesser characters as 5 or 6 issue
mini-series. The first product line from Marvel that was explicitly made
to be written this way was their "Ultimate" line, which featured
updated versions of Spider-Man, the X-Men and other characters. The line has
been amazingly successful, and has done well at having updated versions
of these characters without the 40+ years of back story for new readers
to sift through.
The latest "big event" in this line has been a modern version of the
coming of Galactus. I really didn't want to like this story. I mean it.
The promotional stuff that came out looked bad, the interviews leading
up to it didn't interest me, and the fact that they were doing it in
three different mini-series made me think it would going to be three
issues of story spread out over fifteen issues of comic.
I was wrong.
I read Ultimate Nightmare and Ultimate Secret, the first two books in
the trilogy over the weekend when I was wondering if I should order the
third book and was blown away at how good it is. The story starts with
the Avengers and the X-Men both investigating a strange occurrence in a
former Soviet facility in Tanguska, Russia. From there, the story
barrels forward at a fast clip and feels more like a movie than a comic
book. The art has a gritty realism that makes the characters seem like
real people, rather than brightly colored icons and lends itself to a
feeling of dread that the story needs in order to work. Even thought it
is the first third of a story, it comes to a satisfactory conclusion and
works as a single story, while still wanting the reader to grab the
next book and continue with the story.
The second book in the trilogy has the Avengers and the Fantastic Four
dealing with an alien soldier who has been living on Earth for years
and has to do with the information discovered in the first book. In the
main Marvel Universe, there are bajillions of alien races, and they
have been around so long, no one reacts to the fact that aliens are on
Earth. This story has a great subplot of our current government's
paranoia and inability to grasp what a real threat because they are creating
their own problems, while still having a solid plot that keeps the sense
of dread started in the first book, and brings more information to the
table.
The best thing about this story is that it brings the reader along
skillfully, giving them information as the characters get it, and playing
against the information we already have from YEARS of bad Galactus
stories in the other Marvel comics. It restores the feeling that characters
are really in danger. We also get to know the characters, and it is a
great introduction to the Ultimate line of books. The comic has the
feel of a Big Summer Movie without falling into the endless cliches that
have plagues "end of the world is coming" stories. The super-heroics
are understated, and the story deals more with their reactions than
their powers.
Now, I have to wait for four months to get the end of the story, but
I'm glad I read these two books because they have me excited about the
story. The good thing about a trilogy is that you get a sense of
anticipation for each book as it comes out if it is done right, and this one
is done right. I give both books a five out of five.
Cory!! Strode (The Best Dressed Man In Comics) has written comic books, novels, jokes for comedians, Op Ed columns, the on-line comic strip
www.Asylumon5thstreet.com and has all kinds of things on his website, www.solitairerose.com
Recommended Reading
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In The Chaos Household
Last Night
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No new flags.
Meets Finnish President
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O'Brien handed the Nordic country's first female president a box of chocolates in the shape of a red heart as they posed for photographers before their 15-minute meeting. Halonen gave him Finnish troll dolls to take home.
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Conan O'Brien
Tries to Regroup
Rock the Vote
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Rock the Vote
Helping Solve Hunley Mystery
Patricia Cornwell
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Cowboys Are Frequently, Secretly (Fond of Each Other)
Willie Nelson
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Willie Nelson
William Allen White Foundation National Citation
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Gordon Parks
'Friday 13th' - XI
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Former Prisoners Promote Film
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'No Child Left Behind'
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Deny Breakup Report
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The Feb. 27 issue of the magazine, which will be on news stands Friday, says in a cover story that the public pair "plan to keep up the charade of their romance until after their baby's birth this spring."
A representative for the magazine said, "We stand 100 percent behind our story."
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Involved in Car Crash
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Wilson said investigators listed Doherty as "the party most at fault," but her publicist, Leslie Sloane Zelnik noted there were no citations.
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Reserve Deputy
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Polish Paintings Declared Authentic
Rembrandt
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The Dutch expert made two visits to Warsaw and this week reached a positive conclusion that "they were indeed Rembrandt works," she said.
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Photos Up for Auction
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Pre-sale estimates by the auction house price it between $700,000 and $1 million, the highest estimate in the sale of about 140 pictures. If it sells for more than $822,400, it will set a record for a 20th-century photograph; if it sells for more than $1,248,000, it will become the highest-priced photograph ever auctioned.
Along with the Steichen photo, which measures a little over 16 inches by 19 inches, the auction also includes works by Alfred Stieglitz, Paul Outerbridge Jr., Edward Weston and Alvin Langdon Coburn. The Stieglitz works include photographs of his wife, artist Georgia O'Keeffe. A photo of her hands and another of her nude have pre-sale estimates of between $300,000 and $500,000.
Steichen & Stieglitz
Season to-Date Ratings
Syndicated Talk
Based on season to-date ratings through Jan. 22, 2006, here are the results for the 11 current first-run talk show strips in households, and key women 18-49 and women 25-54. Percent change for the nine established talkers versus the comparable year-ago period appear in parentheses.
-Households:
Oprah: 7.4 (- 3), Dr. Phil: 5.3 (- 1), Live With Regis & Kelly: 3.5 (- 1), Maury: 3.2 (no change), Ellen: 2.4 (+13), Jerry Springer: 2.3 (+ 1), Montel: 2.2 (-13), Martha: 1.8, Tyra Banks: 1.6, Tony Danza: 1.2 (-12), Starting Over: 1.1 (- 1)
-Women 18-49:
Oprah: 4.6 (- 4), Dr. Phil: 2.9 (- 9), Maury: 2.2 (+ 1), Live With Regis & Kelly: 1.7 (-13), Ellen: 1.5 (+12), Jerry Springer: 1.4 (+ 8), Montel: 1.3 (-15), Tyra Banks: 1.2, Martha: 0.9, Starting Over: 0.8 (- 7), Tony Danza: 0.5 (-13)
-Women 25-54:
Oprah: 5.2 (- 4), Dr. Phil: 3.4 (- 7), Maury: 2.1 (+ 5), Live With Regis & Kelly: 2.1 (- 6), Ellen: 1.7 (+24), Montel: 1.4 (-16), Jerry Springer: 1.3 (+ 4), Tyra Banks: 1.1, Martha: 1.0, Starting Over: 0.9 (-12), Tony Danza: 0.6 (-22)
Syndicated Talk
Basic Cable Networks
Ratings
Rankings for the top 15 programs on basic cable networks as compiled by Nielsen Media Research for the week of Feb. 6-12. Day and start time (EST) are in parentheses.
1. "NASCAR Budweiser Shootout" (Sunday, 4:27 p.m.), TNT, 4.11 million homes, 6.15 million viewers.
2. AFC/NFC Pro Bowl (Sunday, 6 p.m.), ESPN, 4.07 million homes, 5.96 million viewers.
3. "WWE Raw" (Monday, 9 p.m.), USA, 4.01 million homes, 5.67 million viewers.
4. "WWE Raw" (Monday, 10 p.m.), USA, 3.98 million homes, 5.83 million viewers.
5. "SpongeBob SquarePants" (Sunday, 9:30 a.m.), Nickelodeon, 3.26 million homes, 4.48 million viewers.
6. "SpongeBob SquarePants" (Saturday, 9:30 a.m.), Nickelodeon, 3.15 million homes, 4.15 million viewers.
7. "Fairly Odd Parents" (Sunday, 10 a.m.), Nickelodeon, 3.12 million homes, 4.22 million viewers.
8. "Fairly Odd Parents" (Saturday, 10 a.m.), Nickelodeon, 3 million homes, 3.89 million viewers.
9. "Fairly Odd Parents" (Saturday, 10:30 a.m.), Nickelodeon, 2.99 million homes, 3.92 million viewers.
10. "SpongeBob SquarePants" (Saturday, 9 a.m.), Nickelodeon, 2.89 million homes, 3.68 million viewers.
11. "Bank of America NASCAR Pre-Race Special" (Sunday, 4 p.m.), TNT, 2.828 million homes, 3.88 million viewers.
12. "Drake & Josh" (Monday, 5:30 p.m.), Nickelodeon, 2.826 million homes, 3.87 million viewers.
13. Movie: "For One Night" (Monday, 9 p.m.), Lifetime, 2.80 million homes, 3.84 million viewers.
14. "Law & Order: SVU" (Saturday, 9 p.m.), USA, 2.79 million homes, 3.57 million viewers.
15. "Drake & Josh" (Saturday, 11:30 a.m.), Nickelodeon, 2.74 million homes, 3.54 million viewers.
Ratings
Prime-Time Nielsen
Ratings
Prime-time viewership numbers compiled by Nielsen Media Research for Feb. 6-12. Listings include the week's ranking, with viewership for the week and season-to-date rankings in parentheses.
An "X" in parentheses denotes a one-time-only presentation.
1. (1) "American Idol-Tuesday," Fox, 31.2 million viewers.
2. (2) "American Idol-Wednesday," Fox, 28.7 million viewers.
3. (3) "CSI: Crime Scene Investigation," CBS, 27.4 million viewers.
4. (6) "Grey's Anatomy," ABC, 25.4 million viewers.
5. (4) "Desperate Housewives," ABC, 23.5 million viewers.
6. (X) "Winter Olympics-Sunday," NBC, 23.24 million viewers.
7. (X) "Winter Olympics-Saturday," NBC, 23.23 million viewers.
8. (28) "House," Fox, 22.2 million viewers.
9. (X) "Winter Olympics Opening Ceremony," NBC, 22.2 million viewers.
10. (5) "Without a Trace," CBS, 20.3 million viewers.
11. (7) "Dancing with the Stars," ABC, 20.0 million viewers.
12. (11) "Survivor: Panama-Exile Island," CBS, 18.8 million viewers.
13. (14) "Lost," ABC, 18.73 million viewers.
14. (8) "CSI: Miami," CBS, 18.68 million viewers.
15. (X) "Grammy Awards," CBS, 17.0 million viewers.
16. (12) "Two and a Half Men," CBS, 16.3 million viewers.
17. (12) "NCIS," CBS, 16.1 million viewers.
18. (20) "Extreme Makeover: Home Edition," ABC, 15.9 million viewers.
19. (16) "Law & Order: Special Victims Unit," NBC, 15.2 million viewers.
20. (17) "Dancing with the Stars-Results," ABC, 14.6 million viewers.
Ratings
Andreas Katsulas
Andreas Katsulas, the character actor known to SF fans as G'Kar on Babylon 5 and a familiar face from Star Trek and other SF&F TV shows, died Feb. 13 of lung cancer in Los Angeles, his agent, Donna Massetti, confirmed to SCI FI Wire. He was 59.
Katsulas, a longtime resident of Los Angeles, played the Narn ambassador G'Kar for five years in the syndicated cult TV series Babylon 5, starting in 1993. He reprised the role in subsequent Babylon 5 telefilms.
Katsulas was also no stranger to Trek fans, playing Romulan Cmdr. Tomalak in Star Trek: The Next Generation. His last appearance in a Trek series was as a Vissian captain on an episode of Enterprise.
Born in St. Louis, Katsulas held a master's degree in theater from Indiana University, his official Web site said. After performing in plays in St. Louis, New York and Boston, he went on to film roles in such movies as Michael Cimino's The Sicilian, which brought him to Los Angeles, then in Ridley Scott's Someone to Watch Over Me and Blake Edward's Sunset.
Katsulas moved to Los Angeles permanently in 1986 and found scores of television and film parts in everything from TV's Alien Nation and Max Headroom to the big screen's The Fugitive, in which he played the infamous one-armed man, and Executive Decision opposite Kurt Russell and Steven Seagal.
Andreas Katsulas
Thanks, Adam!
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